Essay in blue saxophone

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There are two characteristic features that set this style apart. The first is the use of scales that are different from the standard major and minor ones. So the first secret of the special sound on this album is the use of unusual scales. But the second characteristic is even more noticeable, and that is the way the music is grounded on long passages of unchanging harmony. It is based upon five scales or modes, and each musician improvises in turn upon all five in order.

An aside here: It is possible — even likely — that the titles of these two tracks are reversed. I also show how the mixup occurred in , just as the album was released. The great strength of Kind of Blue lies in the consistency of its inspiration and the palpable excitement of its musicians.

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Our Privacy Policy sets out how Oxford University Press handles your personal information, and your rights to object to your personal information being used for marketing to you or being processed as part of our business activities. We will only use your personal information to register you for OUPblog articles. Or subscribe to articles in the subject area by email or RSS. Especially giving the attention to the Evans piano playng, in this album, wich has always blown our minds. Back in , this album was kind of a big deal when it came out and it still is […]. He correctly points out […]. The Phrygian mode, basis of all flamenco music, appears unmistakably in Flamenco Sketches.

The names switching theory seems pretty far-fetched. To add to the most recent comment. The author should really do more background work on common jazz forms and scales before vocalizing wildly inaccurate theories.

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As for the name swap, it is known that there was a discrepancy between the liner notes written by Bill Evans and the titles as printed on the first edition of the LP. These two titles had been swapped on the LP cover, it has been rectified later. It makes no sense to swap the titles again. Your email address will not be published.

Essay In Blue

Save my name, email, and website in this browser for the next time I comment. Read More. Committed to nurturing the next generation of clarinetists, Josh maintains an active private studio where he teaches secondary and collegiate students. His mentors include author and pedagogue Larry Guy, the late recording artist and impresario Lawrence Sobol, and the late, renowned master teacher, craftsman, and performer, Kalmen Opperman.

Connie Frigo, Board Member. Connie Frigo is an accomplished soloist, chamber musician, teacher, speaker, and founder of numerous festivals. She is sought-after presenter on topics relating to professional development, entrepreneurship, creativity, and women in music. She is a steadfast organizer of interdisciplinary events with a focus on the creative process and engaging new audiences, resulting in meaningful intersections of performers, composers, socially-conscious non-profits, students, concerned and active citizens, and arts leaders.

Navy Band, Washington, D. Frigo is an active clinician and guest performer at universities domestically and internationally and appears regularly at national and international conferences.

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In , the Yargo Trio will premiere a new work written for them by Lowell Liebermann. For the North American Saxophone Alliance, she has served as Coordinator of Competitions , program committee member and program chair for the biennial conferences. She is a Fulbright Scholar to the Netherlands. Scotty Phillips, Programming Coordinator. Phillips is the tenor saxophonist of Singularity Saxophone Quartet. Phillips is also an accomplished musician in the popular and jazz styles. He was also part of the United States delegation sent to Grenoble, France for International Meetings of Young Musicians, being 1 of 6 American musicians selected for the trip.

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Sara Eastwood, Operations Manager. Sara Eastwood maintains an active career as a recitalist, orchestral musician, and educator. Kristine Dizon, International Competition Coordinator.

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She was awarded the J. Kristine performs exclusively on F. Kevin Vorabout, Secondary Outreach Coordinator.

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Kevin Vorabout is a woodwind specialist who currently resides in Bloomington, Indiana. Vorabout is a avid orchestral and chamber musician. Amy Humberd, Social Media Coordinator. She is a founding member of the Civitasolis Reed Quintet, a group dedicated to innovative and interactive concert performances. Recently Civitasolis was selected as semi-finalists in the Coltman chamber music competition, and they will present their Carnegie Hall debut recital in May With this group, she and the other members created an annual composition competition to promote the creation of new music for the reed quintet genre.

Outside of the performance hall, she is an accomplished teacher. In addition, she has presented clinics and masterclasses in Tennessee, and she has experience coaching chamber music, giving masterclasses, and teaching technique classes at Florida State University. As an entrepreneur and advocate for the arts, she is a coordinator of Classical Revolution - Tallahassee, an organization dedicated to presenting free classical music concerts in community and neighborhood venues, and she has been published in The Clarinet Volume 45, Issue 1.

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Formerly a student of Howard Klug, she earned both an M. She began her studies at Lee University where she earned a B. Tracy Patterson, Jazz Coordinator. Tracy Patterson is an energetic and diverse performer who is equally equipped as a jazz and classical saxophonist. He has appeared as a soloist and chamber musician worldwide and has premiered several works for the saxophone.

Bush and Mrs. Laura Bush. Randy Smith, Vendor Coordinator. Smith is a champion of new music and has commissioned nine works for soprano, alto, and baritone saxophones. Charles W.

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Smith, and is available from Southern Music. Xin Gao, Featured Artist Coordinator. Xin Gao , hails from Chengdu, China, currently serves as assistant professor of saxophone and music theory at Truman State University.

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